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There is a strong sense of a post – digital romanticism and hauntology within my work, namely in the roles which image, sound and performance can be used as an outlet, to understand – in my own finite way –emerging technologies, cosmic pessimism and new ontologies of identity in a non corporeal world.

 

To try to capture the 'dark matter of pop' through a musical sibylline guise.

 

 

 

Glasgow UK